Keywords:
- 3d Spatial Audio
- 5.1
- acoustics
- apparent source width
- applied psychoacoustics
- audio
- audio system
- audio systems
- Auditory Display
- Auditory Perception
- auditory scene analysis
- bionic sensor
- circular microphone array
- clinical application
- complex point source
- complex point source model
- ethnomusicology
- far field recordings
- gender
- guidance
- higher order ambisonics
- human-computer interaction
- hydrophone array
- Image-guided medical navigation
- image-guided surgery
- instrument acoustics
- microphone array
- music
- music analysis
- music perception
- music production
- music psychology
- music recommendation
- music theory
- musical acoustics
- musical instruments
- musical signal processing
- musical wave field synthesis
- navigation
- outsider music
- perceptual sound field synthesis
- perceptual wave field synthesis
- point multipole
- point multipole source
- psychoacoustic interactive sonification
- psychoacoustic sound field synthesis
- psychoacoustic wave field synthesis
- Psychoacoustics
- psychoaoustic wave field synthesis
- radiation characteristics
- radiation synthesis
- Room Acoustics
- Sonification
- sound analysis
- sound field synthesis
- sound radiation characteristics
- source localization
- source width perception
- spaciousness perception
- spatial additive synthesis
- Spatial Audio
- spatial hearing
- spherical harmonics
- surgery
- surround sound
- systematic musicology
- tracking
- underwater acoustics
- violin
- wave field synthesis
- wave front synthesis
Publications of Tim Ziemer
| 1-25 | 26-33 |
2017
A Psychoacoustic Review of Auditory Displays in the OR (Abstract), in: Proceedings of the 16. Jahrestagung der Deutschen Gesellschaft für Computer- und Roboterassistierte Chirurgie (CURAC), Magdeburg, 2017 | , and ,
Auditory Display for Supporting Image-Guided Medical Instrument Navigation in Tunnel-like Scenarios (Abstract), in: Image-Guided Interventions (IGIC), Magdeburg, 2017 | , , , and ,
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Perception of a virtual violin radiation in a wave field synthesis system (Abstract) (2017), in: The Journal of the Acoustical Society of America, 141:5(3875) | and ,
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Perceptual evaluation of violin radiation characteristics in a wave field synthesis system, in: Proceedings of Meetings on Acoustics, Boston, MA, pages Paper number: 035001, Acoustical Society of America and European Acoustics Association, 2017 | and ,
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Perceptual sound field synthesis concept for music presentation, in: Proceedings of Meetings on Acoustics (Acoustics '17 – Joint Meeting of the Acoustical Society of America and the European Acoustics Association), Acoustical Society of America and European Acoustics Association, Boston, MA, Acoustical Society of America and European Acoustics Association, 2017 | ,
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Perceptually Motivated Sound Field Synthesis for Music Presentation (Abstract) (2017), in: The Journal of the Acoustical Society of America, 141:5(3997) | ,
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Psychoacoustic sonification design for navigation in surgical interventions, Boston, MA, pages 050005, Acoustical Society of America and European Acoustics Association, 2017 | , and ,
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Psychoacoustic Sonification for Surgical Applications (Abstract) (2017), in: The Journal of the Acoustical Society of America, 141:5 | and ,
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Psychoacoustic Sound Field Synthesis for Musical Instrument Radiation Characteristics (2017), in: J. Audio Eng. Soc., 65:6(482--496) | and ,
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Psychoacoustically motivated sonification for surgeons, in: Computer Assisted Radiology and Surgery (CARS), Barcelona, 2017 | and ,
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Source Width in Music Production. Methods in Stereo, Ambisonics, and Wave Field Synthesis, in: Studies in Musical Acoustics and Psychoacoustics, pages 399--440, Springer, 2017 | ,
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Spaciousness in Music: The Tonmeister's Intention and the Listener’s Perception, in: Second Kling Gut! Symposium, Hamburg, 2017 | and ,
Two-dimensional psychoacoustic sonification (Extended Abstract), in: 33. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (DGM), Hamburg, pages 64, 2017 | ,
Wave Field Synthesis, in: Springer Handbook of Systematic Musicology, pages 175--193, Springer, 2017 | ,
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2016
Recent Research Projects Carried Out at the Institute of Systematic Musicology (Abstract), in: 13th Sound and Music Computing Conference (SMC), Hamburg, pages V, 2016 | and ,
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Using Psychoacoustic Models for Sound Analysis in Music, in: Proceedings of the 8th Annual Meeting of the Forum on Information Retrieval Evaluation, Kolkata, India, pages 1--7, ACM, 2016 | , and ,
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2015
Blowing pressure dependent synchronization in the Zummâra (Abstract), in: Int. Conf. of Students of Systematic Musicology (SysMus), Leipzig, pages 38, 2015 | and ,
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Complex point source model to calculate the sound field radiated from musical instruments, 2015 | and ,
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Complex point source model to calculate the sound field radiated from musical instruments (Abstract) (2015), in: The Journal of the Acoustical Society of America, 138:3(1936) | and ,
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Exploring Physical Parameters Explaining the Apparent Source Width of Direct Sound of Musical Instruments, in: Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (DGM), Oldenburg, pages 40--41, 2015 | ,
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Implementation of the Radiation Characteristics of Musical Instruments in Wave Field Synthesis Application, University of Hamburg, 2015 | ,
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Implementing the Radiation Characteristics of Musical Instruments in a Psychoacoustic Sound Field Synthesis System, in: Audio Engineering Society Convention 139, New York, NY, 2015 | and ,
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Implementing the Radiation Characteristics of Musical Instruments in a Psychoacoustic Sound Field Synthesis System (Abstract) (2015), in: J. Audio Eng. Soc., 63:12(1094) | and ,
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Simulating the lateral line with low-frequency nearfield acoustic holography based on a vector hydrophone array for short-range navigation in littoral waters (Abstract) (2015), in: The Journal of the Acoustical Society of America, 138:3(1897) | ,
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Spatial Sound Impression and Precise Localization by Psychoacoustic Sound Field Synthesis, in: Seminar des Fachausschusses Musikalische Akustik: "Musikalische Akustik zwischen Empirie und Theorie", Hamburg, pages 17--22, {Deutsche Gesellsch. f. Akustik (DEGA)}, 2015 | ,
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| 1-25 | 26-33 |